Tag Archives: Cavagna

Opulent Almanacs

It’s been a wonderfully colorful week here at the Illinois RBML: after Joan Friedman’s illuminating lecture on Owen Jones and color printing on Wednesday, we came across these exquisite chromolithographed title pages from Goffredo di Crollalanza’s series of almanacs: the “Almanach Héraldique et Drôlatique”, from 1883-1885. Almanacs were popular in the 18th and 19th centuries, evolving from practical workaday listings of moon cycles and weather predictions to elaborate calendars including horoscopes, holy days, city directories, and serialized novellas that were designed to draw readers in year after year.

These almanacs are an extreme example of that trend, including not just the highly colored frontispieces above, but a genealogy of the noble houses of Europe, and several different serialized comic adventures following the remarkably named “Baroness Mina de Pfartzhaussentreppe”, pictured on the cover. Although the almanacs are in French, they were published both in Paris and Pisa, and detailed the adventures of a German lady. This pan-European setting emphasizes the high-class sophistication and worldliness these books were meant to emulate for their readers.

The in-text decorations range from the folksy to the futuristic: quaintly romantic country scenes and medieval knights share space with fashion plates and hot air balloons. The calendars in the front of each issue are themed, with 1885 assigning a rustic object like a fruit, bird, color, or animal (and its attendant personality trait) to each day of the year, as Napoleon’s Republican Calendar did in the years before. 1884, on the other hand, assigns each day a town or noble family, complete with heraldic description, associated with that day’s saint.*

It’s easy to see why almanacs were so popular, even ones not as brightly and intricately decorated as these. Unfortunately, as some of you may have noticed, the 1886 volume is considerably smaller, without any of the colored text, much less a frontispiece. The author explains this in his introduction:

Because there are some unfortunate people, you, for example, who weren’t able to procure for themselves the splendid volume of 111,111 pages … the author has asked me to summarize the articles from the large volume and serve them up to you hot off the presses in a volume of reasonable dimensions. Fortified by this authorization, I armed myself with a good pair of scissors and began cutting everything that seemed to me to be superfluous, useless, infantile, boring, flat, sensational, erroneous, immoral, or otherwise pernicious to the health of the reader… and I cut, cut, cut, until I had nothing more than this modest and inoffensive pamphlet… which I have the honor of presenting to you.**

Goffredo di Crollalanza was the son of a successful almanac publisher, but this run petered out after only three years of publication, perhaps due to the prohibitive cost of the beautiful illustrations in the first two volumes. The Illinois RBML is extremely fortunate to have such a complete and beautiful set of items in our Cavagna collection of rare Italian imprints, and we invite you to come explore (and discover your own late-Victorian almanac horoscope!). – KEB

 

di Crollalanza, Goffredo. Almanach Héraldique et Drôlatique. Paris: E. Plon, Nourrit et c.ie, 1883-1885.

Cavagna 18924

 

*The author’s birthday makes her an apple tree symbolizing “dangerous beauty” (according to 1885), and a member of the town of Eugenj (according to 1884) with a gold lion crest.

**Any errors in translation are the fault of the author.

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Cataloging Cavagna! The man behind the collection

Count Cavagna in 1908

Count Cavagna in 1908, from In memoria del conte Antonio Cavagna Sangiuliani di Gualdana nel primo anniversario della sua morte, 5 aprile 1913 (Pavia: Caio Rossetti, 1914). Q. Cavagna 50262

To celebrate the recent grant awarded to the Rare Book & Manuscript Library by the Council on Library and Information Resources, we are offering a little background on the man behind the collection, Count Antonio Sangiuliani di Cavagna. In the weeks to come, the Cavagna catalogers will be showcasing a “Cavagna of the Week” every Thursday, so stay tuned to discover all of the facets of the collection and the interesting works we uncover.

Cavagna was born on August 15, 1843 in Alessandria, a city in Piedmont, the son of Don Giovanni Battista Cavagna, conte di Gualdana and his wife Ida Fenini. At the age of 10 he was adopted as heir by his cousin Antonio Sangiuliani, conte di Balbiano. His full name thus is Antonio Sangiuliani di Cavagna, conte di Gualdana. He studied law at the Universities of Bologna, Pavia, and Rome, receiving a laurea in legge in from the latter in 1871. His legal studies were interrupted in 1866 by military service in the Austrian war. Serving as a local elected official and managing his extensive agricultural holdings, he also published 161 works on historical, art-historical, socio-economic, and governmental topics. He married twice: to Beatrice De Vecchi (1867) and to Maria Gramignola (1885), with whom he had 4 daughters.

Count Cavagna in 1866

Count Cavagna in the military uniform of the Reggimento “Lancieri di Aosta”, 1866

Cavagna’s library originated from the inheritance of both his father’s and cousin’s archives. His own collecting of books, pamphlets (including publications in honor of weddings), broadsides, ephemera, maps, and manuscripts reflected his historical and legal interests. His acquisition of works on farming, bonifica (land improvement), charities, and social welfare arose from his responsibilities as an agricultural landowner and his social position; government documents reflected his roles as an elected official of Voghera and Bereguardo and as provincial councilor of Pavia. His private enjoyment of theater–he became a member of the Accademia dei Filodrammatici of Milan at the age of 13–and interests in the medicinal value of mineral waters are also reflected in his library.

The first leg of the journey for Cavagna's Collection, from Bereguardo, Italy to the University of Illinois

The first leg of the journey for Cavagna’s Collection, from Bereguardo, Italy to the University of Illinois in 1921

Dying without direct male heirs in 1913, his collection was offered for sale by his sons-in-law. Negotiations with the University of Illinois were interrupted by WWI; the sale was completed in 1921 and shipped to Urbana the same year. The University purchased both Cavagna’s private library and most of his family archive. Manuscripts in the archive relating to the history of the city of Pavia were exempt from the sale and remained in the city of Pavia. RT

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